France-Nigeria animation collaboration gained fresh momentum in 2025 with multiple programs aimed at developing skills and partnerships. The French Embassy in Nigeria organized hands-on workshops and internships, and it helped fuel several joint projects. It shows how both countries are investing in the creative economy through shared expertise and cultural exchange.
Firstly, the French Embassy led technical workshops across Nigeria in early 2025. These sessions helped animators hone their craft and learn new tools. They brought together Nigerian creatives with trainers from France and local studios. Participants benefited from practical guidance and peer feedback, and the initiative strengthened nationwide talent.
Secondly, since 2022, the embassy has supported Nigerian animators at major international gatherings like Annecy’s animation market and Cannes’ MIPJunior. The presence there helped artists showcase their works, network with global professionals, and pitch bold ideas. Likewise, the embassy organized pitch training in Lagos so presenters could polish their delivery before international experts.
Furthermore, two Nigerian animators from Magic Carpet Studio visited Paris for immersive post-production training. They learned editing and color grading at a leading French studio and brought those advanced techniques back home. In addition, a top student from France’s Gobelins school traveled to Nigeria and worked with the Magic Carpet team on the animated feature The Passport of Mallam Ilia. The exchange seeded new collaboration across borders.
Moreover, Esther Kemi Gbadamosi completed a two-month stop-motion residency in France. She helped build puppets and sets for a French film and learned in a professional studio environment. She now plans to host workshops in Nigeria to share her knowledge and promote this creative field locally.
Meanwhile, the embassy again backed around 25 Nigerian animation studios at the Annecy International Animation Film Market. Some studios pitched projects in front of 80 international judges, and others met producers from around the world. These sessions opened doors for co-productions and project funding, and the event spotlighted Nigeria’s talent.
In addition, the collaboration led to signed co-production deals. Two agreements for short films already exist between Nigerian and French studios. In 2025, two more deals for feature-length works emerged, including The Passport of Mallam Ilia, which is now in production. These partnerships signal growing trust and shared vision.
Lastly, these advances reflect how the France-Nigeria animation collaboration delivers real results. French support helped equip local artists with technical and creative skills. The partnerships now advance Nigeria’s creative industry and promote storytelling grounded in African perspectives. By blending training, exposure, and joint production, the collaboration lays the foundation for long-term growth.
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